Intermedia Art Sculpture Digital Art Inner Eye Painting
JOHN TOTH
HPSCHD |
| In another show at The Albright-Knox Art Gallery, Buffalo, N.Y., I created a fabric sculpture installations in collaboration with John Cage and LeJaren Hiller's HPSCHD, with 40 slide projectors, 16 film projectors and 6 harpsichords. | |
HPSCHD |
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HPSCHD |
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| INNER EYE | ||||
| ART | ARCHITECTURE | ARTISTS | DANCE | |
| FORUM | INSTALLATION | |||
| MUSIC | PERFORMANCE | PHOTOGRAPHY | PROJECTS | TECHNOLOGY |
| WRITING | VIDEO | VRML | ||
| John Toth | Ars Bellum | all images copyright 2002 John Toth |
Intermedia Art Sculpture Digital Art Inner Eye Painting
Perhaps the earliest memories we have of fabric are from the embryonic membrane
that first served as our protective shelter. And
immediately from the womb we were dressed in furs, blankets and clothes.
Later, as a child, I crawled under the quilting frame of my
grandmothers Slavic sewing circle. My
back to the damp basement floor, I watched, under the quilting frame, as needles poked
through the tightly stretched fabric, stitching remnants from our worn out shirts into
brightly colored geometric patterns. Sitting
around the perimeter, the husbands occasionally rose to readjust the clamps holding the
quilt to the frame, testing the tension, aware of the surface. The lights above lit the fabric, coloring the
shapes, as I watched below the patterns grew.
As an artist I use fabric to mingle the mystery of materials from brightly colored nylon and synthetic grids to metallic meshes and translucent Mylars, with light, film and projected video
defining links:
Installation Art
Unlike traditional art works, installation art has no autonomous
existence. It is usually created at the
exhibition site, and its essence is spectator participation. Installation art originated
as a radical art
form presented only at alternative art spaces; its assimilation into mainstream museums
and galleries
is a relatively recent phenomenon. The move of installation art from the margin to the
center of the
art world has had far-reaching effects on the works created and on museum practice.
From Margin to Center: The Spaces of Installation Art
Author:Julie Reiss Publisher:MIT Press