REFLECTION |
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Identity Space |
Bank Street College,
Roberta Altman |
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HOW DO WE CREATE OR CURATE A SPACE OR PLACE FOR THE IDENTITY OF OTHERS TO EMERGE? | |
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Metropolitan Museum of Art. | |
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Noticing the world around us. | |
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Entering the work of art. | |
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Weaving layers of identity. | |
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Mapping the SPACE through FLOOR PLANS in SPACE AND TIME = ? |
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SPACE/TIME - x(?) + UNKNOWN HUMAN EXPRESSION presents an interdisciplinary outlook of a given experience. |
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Jaun de Pareja, 2003 | |
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Jaun de Pareja a Moor. | |
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Velazquez, Jaun de Pareja, 1610-70 | |
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Velazquez, Jaun de Pareja, 1610-70 |
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Why did the artists of Velazquez' time consider this painting to be TRUTH? | |
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What was TRUTH for Othello? |
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Who's TRUTH |
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How many TRUTHS? |
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How do we CURATE TRUTH? | |
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How does Anna Devere-Smith portray TRUTH in Twilight LA? | |
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What is TRUTH? | |
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Jacques-Louis
David, The Death of Socrates, 1787 Detail |
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Jacques-Louis David, The Death of Socrates, 1787 | |
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Jacques-Louis David, The Death of Socrates, 1787 | |
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Can TRUTH be veiled? | |
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| The INNER EYE is an internet based, intermedia project that I began in the late1980's dedicated to collaborations I have had with artists, educators, choreographers, dancers, poets, writers, actors, directors, composers, musicians and a variety of people who celebrate ideas between mutilpe disciplines and media. John Toth, 2003 | ||
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ARS BELLUM |
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| JOHN TOTH | ||
