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| FABRIC ENVIRONMENTS | |
| In A Circle John Toth, Audart / Art and technology Circus installation for performance |
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| In A Circle is a collaboration that will use the internet and other technologies to link groups of participants in many sites and cities. The core collaboration at this point is the linking of live performances in Buffalo and New York City via the internet I will create fabric installations in multiple sites that will define the structure and framework for performance and art. Artists in Buffalo include composers, poets, video artists, musicians and visual artists. Artists in New York City will provide choreography, dance , theater, video, opera, composers, musicians, visual arts, cyber arts. Teleconferencing and live internet connections will bring interactive possibilities between performers at different sites. ( a dancer in one city will duet and improvise with a dancer in another city or a visual artist and musician might interact with several dancers in other cities). | |
| In A Circle Sarah Carl, Dancer, Actor |
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| In A Circle Victoria Anderson, Choreography |
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| Music performances with the East Buffalo Media Association | |
Dance: Choreography; Lynn Brown & Lynn Marie Ruse |
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Fabric |
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| Installations | |
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| Performance fabric installation at Times Square, NYC. | |
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| Fabric Is A Structure For Behavior | |
| defining links: | Installation Art Unlike traditional art works, installation art has no autonomous
existence. It is usually created at the exhibition site, and its essence is spectator participation. Installation art originated
as a radical art form presented only at alternative art spaces; its assimilation into mainstream museums
and galleries is a relatively recent phenomenon. The move of installation art from the margin to the
center of the From Margin to Center: The Spaces of Installation Art |
